Archive for the ‘Entertainment’ Category

Indian Film Academy Awards honours technical excellence

Friday, May 11th, 2012

Dubai: Director Zoya Akhtar’s feel-good drama Zindagi Na Milegi Dobara beat Shah Rukh Khan’s sci-fi magnum opus Ra.One in this year’s International Indian Film Academy Awards honouring technical excellence.

While Hrithik Roshan-starrer won five awards including Best Cinematography and Best Screenplay, Khan’s super-hero production won four technical awards including Best Production Designer and Best Special Effects. Incidentally, these two films face stiff competition in the popular award categories too.

Vidya Balan’s risqué drama The Dirty Picture also opened its account in the technical excellence category by taking home awards including the Best Dialogues and Best Costume Designing.

The winners will be decorated in the glittering ceremony that will be held in Singapore from June 7 to 9.

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© 2011 Gulf News (www.gulfnews.com)

Jason Statham: Billion dollar man

Sunday, May 6th, 2012

In just over a decade, actor Jason Statham has become a billion dollar box office success. But how did this one time street trader go from selling black market perfume and jewellery to starring opposite Brad Pitt, Bruce Willis and Sylvester Stallone?

After debuting in Guy Ritchie's 1999 East End gangster hit, Lock Stock and Two Smoking Barrels, Statham has carved his own niche in the action genre, appearing in box office hits like The Expendables and Snatch, as well as being the leading man in films including Death Race, The Transporter series and Crank.

These movies have taken more than a billion dollars in cinemas alone, making Statham one of the most bankable stars in the world – even if some critics complain he only plays one role.

Safe is Statham's latest movie, which premiered in London this week. He plays an ex-cop in New York, who is saved from suicide by a chance meeting with a young Chinese girl.

The child is a mathematical genius, and he must in turn save her from both Russian gangsters and Chinese Triads, stacking up an impressive pile of bodies on the way.

The Guardian points out that it is "Safe by name, safe by nature", and full of "the usual irresistibly dubious pleasures: car chases, kidnapped adolescent girls, martial arts dust-ups, tersely-written, often ill-delivered dialogue, all cut together at breakneck speed to a thunderous soundtrack".

However, when asked about his box office success, Statham attributes it to knowing what he is good at, and sticking with it.

"Some roles suit me better than others, no doubt about it," he says, "and this movie is typical of the action genre. It's not pretending to be anything but an action film.

"However, there is a heart to the movie too, and that's my character's relationship with the little girl.

"It actually takes time to perfect this genre, and to be able to do it with confidence. I'm still working on it."

Safe's executive producer, Stuart Ford, claims no-one else would have been considered for the part.

"We wanted to make an action movie that had a real excitement level to it, so it looks real on screen. There's only one guy that does that in Hollywood, and that's Jason Statham.

"He's not manufactured, and there's a honesty about him when you watch him. That's partly because he does his own stunts, but I think he's believable emotionally as well."

Statham does display some humanity in Safe – he actually cries, which he jokes are "CGI tears" – but he agrees the ability to do his own stunts gives him an edge on his competition.

For twelve years, he was a member of the British National Diving Squad, and he also studied kung fu, kickboxing and karate – with little idea of how it would benefit him in the future.

"I spent years doing those sports and now it's all paid off, but at the time I had no idea," recalls Statham.

"Years and years ago, I wanted to be a stuntman and I felt that was a pretty realistic ambition, but it was still a stretch of the imagination.

"Now I get to do a bit of acting, and I get to do all the stunts, so I've fulfilled a small dream I had years ago.

"I do say exactly what I will and won't do with stunts, but I really enjoy them. Myself and the director, Boaz Yakin, talked about what we wanted from the action.

"I want it to be captured in the right way, I don't want it to look like I was sipping tea in the trailer and letting someone else do all the hard work for me.

"There's something to be said for doing something that's very risky. If there's a chance that you might get hurt, and you get through that moment and it turns out well, there's an element of reward to that. It's always about testing yourself."

According to Stuart Ford, Statham's ability to create his own action does more than shave a few dollars off the budget – it has gained him legions of fans around the globe, who turn up time and again to see his films.

"He's carved a niche for himself, partly because he's exceptionally good at what he does, but also there's a dearth of other guys who can do their own stunts, particularly in Hollywood. He really is the best of the breed."

He adds: "We are opening in 70 or 80 countries and we need a bankable star with a global name. Jason's action movies are loved in Asia, the USA and Latin America. He has universal appeal and that's why he makes so much at the box office."

With that in mind, does Statham really deserve the critical disapproval that is often heaped upon him?

The Associated Press described Safe as "the worst Jason Statham movie since the last Jason Statham movie."

Or should he even care? After making a living modelling and street trading, in 1998 Statham met up-and-coming director Guy Ritchie, who cast him as a con-artist in Lock Stock and Two Smoking Barrels.

These days he lives in Los Angeles, and is dating model and Transformers actress Rosie Huntingdon-Whiteley.

"I've been extremely lucky," Statham shrugs. "I've been in the right place at the right time. However, I will always be grateful to Guy Ritchie, because I was selling perfume and jewellery on the street, and he offered me that part and changed my life. "

In the meantime, Statham says he'll continue to play it relatively safe.

"You're never going to get me in a period drama, put it that way. But I do care about a good script, because all I can do is what is put in front of me, and all I can choose from, role wise, is what I'm offered.

"But I've just been working on a film, Hummingbird with Steven Knight (the writer of Dirty Pretty Things), and that's the most challenging and emotional thing I've done in my career."

It's not a rapid change of direction though – he plays a man who's forced to confront his violent past when his wife is murdered.

And with The Expendables 2 due out later this year, Statham's box office profits – and on screen body count – should stack up even further.

"Am I really a genre all by myself?" he muses. "Maybe. At least that'll keep me going if nothing else ever happens for me."

© 2011 BBC News (www.bbc.co.uk)

Police tap teen in theft of chef’s Lamborghini

Thursday, May 3rd, 2012

San Francisco: A celebrity chef’s Lamborghini sports car has been recovered from a teenager’s storage container a little more than a year after it was reported stolen from a San Francisco exotic car dealership.

The San Francisco Chronicle reported Monday that Marin County sheriff’s investigators found Guy Fieri’s bright yellow Spyder convertible in the city of Richmond while looking into the 17-year-old boy’s connection to a shooting in Mill Valley.

The teen was arrested Saturday in the shooting and for being in possession of a stolen car. Fieri thanked officers for cracking the case, saying he felt better knowing justice is being served. Fieri drives around the country in a 1967 Camaro convertible checking out greasy spoons as star of the Food Network’s "Diners, Drive-ins and Dives."

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© 2011 Gulf News (www.gulfnews.com)

Nour El Shareef robs the cradle

Monday, April 30th, 2012

Published April 26th, 2012 – 13:46 GMT

Prominent Egyptian actor Nour El Shareef has begun filming the scenes of his new television drama “Irfat Al Bahr” alongside young Egyptian actress Nirmeen Maher, whose character in the drama falls madly in love with Nour’s character despite an age difference of more than 20 years. Nour’s character in the drama marries Nirmeen regardless of age and she becomes his second wife.

The drama is said to be full of events as Nour reflects on a number of social issues ranging from love relationship to hatred between people. Nour attempts to give solutions to a number of social issues through the drama.

Nour stars in the drama alongside actress Hala Sidqi, Dalal Abd Al Aziz, Nirmeen, Ahmad Budayr, Mai Nour El Shareef, In’aam Salousah and Sha’baan Hussein. The drama is written by Mohammad Al Safti and directed by Ahmad Midhat.

© 2011 Al Bawaba (www.albawaba.com)

Ukraine art ‘swapped for fakes’

Sunday, April 29th, 2012

Two valuable paintings in the offices of the Ukrainian government have been mysteriously swapped for replicas, it has been claimed.

The landscapes, by Mykola Hlushchenko, were lent to the government by the National Art Museum in 2001.

But chemical tests "have shown that both paintings are replicas of Hlushchenko's works," said Ukraine's culture ministry in a statement.

The museum has called for a criminal investigation into the affair.

The disappearance of the paintings was first made public by museum officials on 29 March, prompting tests to verify the claim.

After examining the paintings, experts said, "the nature of the luminescence in the zinc white paint layer, and the degree of drying in selected samples means they were paintings created in the 21st Century".

Insurers have valued the two originals at about $144,000 (£88,776).

The National Art Museum added it "categorically denies any suggestion and innuendo" that the paintings it lent to the government were not genuine.

Hlushchenko was born in East Ukraine in 1901, and served in the Russian army fighting communists in 1919. After being taken prisoner, he escaped from a camp in Poland, from where he made his way to Germany and enrolled in the Berlin Academy Of Art.

From 1925, he lived in Paris – where he divided his time between painting and working as a Soviet spy.

He is best known for his landscapes, painted in the post-impressionist style, although he also created several still lifes, nudes and portraits – including those of French writers Henri Barbusse and Victor Margueritte.

Hlushchenko returned to his homeland in 1936, where he taught art for several years, before moving to Moscow on the eve of World War II, where he remained until his death in 1971.

© 2011 BBC News (www.bbc.co.uk)

Goldfish predict it’s gonna be a busy 2012

Thursday, April 26th, 2012

Goldfish’s cult-like following in their home country of South Africa set a standard, which everyone knew soon enough to follow.

Dominic Peters and David Poole started jamming together while studying music at university with little more than a double bass, saxophone and a couple of synthesizers.

But the success story behind Cape Towns’ electronica phenomenon has been nothing short of extraordinary.

A self-released debut album, Caught in the Loop, later and the duo took their multiple-instrument live act across the globe playing sell-out shows in Ibiza, Tokyo and Cannes.

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© 2011 Gulf News (www.gulfnews.com)

To Be Or Not To Be (The Pope) Is The Question

Wednesday, April 18th, 2012

Story By: by Bob Mondello

Heavy Lies The Head That Wears The Mitre: Michel Piccoli plays Melville, a cardinal unexpectedly elected pope who falls into an existential crisis before he can make his first papal address.

We Have A Pope

Not rated; no violence or sexuality

With: Michel Piccoli, Nanni Moretti, Jerzy Stuhr

In Italian with subtitles

(Recommended)

‘Habemus Papam’

‘Discretion’

When the College of Cardinals gathers in the Vatican to choose a new church leader — formally the Bishop of Rome — it announces its selection with the Latin phrase “Habemus papam” (“We have a pope”).

But suppose that, when a cardinal steps out onto a balcony in St. Peter’s Square to utter those fateful words, the gentle soul in white sitting behind him, out of sight of the crowd, develops stage fright.

That’s basically what happens in Nanni Moretti’s gently humane comedy about a humbled elderly gentleman and the institution his doubts put in crisis. The abilities the cardinals see in him, he doesn’t see. So he buries his head in his hands, mutters “I can’t do this,” and runs down the hall.

A sign of humility? Well, that’s how it’s spun by the Vatican’s spokesman, who describes the new pope as having retired to his chambers for prayer and contemplation. But a psychiatrist is also called — wouldn’t you know, a nonbeliever — who’s thoroughly intrigued by this assignment, but somewhat hamstrung by instructions that he must not so much as mention dreams, fantasies, parents, childhood or heaven forbid sex. So he cuts to the chase: “Do you want to be pope?”

“I’m already pope,” comes the sad reply, “decided by the cardinals, decided by God.”

Then comes a more worldly problem. While taking a walk after a psychiatric session, the pope, who has still not been introduced to the world, gets away from his handlers and disappears into the streets of Rome. After a moment of panic, the church’s spokesman bids for time. One of the pope’s Swiss Guards is quickly installed in the papal apartment, so the cardinals will see his shadow in the window and not worry. Meanwhile, the new pontiff is off somewhere among his flock, incognito, practicing a speech he doesn’t want to make.

Group Therapy: Director Nanni Moretti (left) plays an agnostic psychiatrist summoned to the Vatican to counsel the pope — but he’s advised not to ask about sensitive topics.

The great French actor Michel Piccoli is sweetly sympathetic as the man who would not be pope, and director Nanni Moretti has cast himself as the agnostic psychiatrist who kind of enjoys butting heads with cardinals, though not so much being sequestered with them.

Though Moretti’s films have ranged from wrenching drama to political satire, he’s widely thought of as the Italian Woody Allen, and here he leavens institutional and emotional stress with plenty of smiles — as when that Swiss Guard in the papal apartment cues up a Mercedes Sosa record on the stereo, and soon has the cardinals across the piazza clapping along contentedly and swaying like kids at a concert. The pontiff’s mood must have lightened, they figure, as a lyric wafts down that means “Change … everything changes.”

Oddly enough, miles away, the new pope is listening to this same song, but sung by a young woman on a street corner — evidence of God’s grace, perhaps. There’s nothing in We Have a Pope that’s likely to offend, much that will amuse, and also quite a bit of effective design work. It can’t have been easy to create such a persuasive Sistine Chapel in a film studio, or to populate it with quite so many exquisitely robed cardinals.

All this production work, mind you, and a few achingly anguished scenes, will suggest that Moretti meant for the film to be more substantial than it mostly feels. Despite moments that strain awfully hard to remind us that the church and its new leader are in crisis, it’s basically habemus comoedia. We have a comedy. (Recommended)

Gibb too ill for Titanic concert

Thursday, April 12th, 2012

Bee Gees star Robin Gibb was unable to attend the London premiere of his first classical work because he has contracted pneumonia, his son has said.

In a message read out to the audience at Westminster Central Hall, Robin-John Gibb said his father was in hospital, but "sends all his love".

"We are all praying for him and hoping he has a speedy recovery," he added.

The singer had also been due to perform a new song, called Don't Cry Alone, at The Titanic Requiem concert.

The requiem, composed by both father and son and performed by the Royal Philharmonic Orchestra, commemorates the 100th anniversary of the sinking of the ocean liner.

In February, Gibb said he had been making a "spectacular" recovery from cancer but he was later readmitted to hospital for intestinal surgery.

"Of course these are all the periphery problems that occur when you have an illness like that," his son told Reuters.

"I don't think there'll ever be a time in the future where he is not in and out of hospital because you have to keep constant scrutiny on these things.

"Sadly that's the way it is, and tonight he would love to be here and we're really at a loss because we really wanted him to see this and be able to see our baby come to fruition."

Concern for Gibb's health was raised in recent months by his gaunt and frail appearance.

But the singer said a growth in his colon had "almost gone" and he was feeling "fantastic."

© 2011 BBC News (www.bbc.co.uk)

Review: Play about Judy Garland’s final days

Sunday, April 8th, 2012

New York: History says Judy Garland accidentally died of a drug overdose in 1969. Don’t believe it.

The star of The Wizard of Oz and Judgment at Nuremberg is very much alive – though barely – in End of the Rainbow, a British import that opened on Monday at the Belasco Theatre.

Tracie Bennett, the woman tasked with filling Garland’s ruby slippers, is so stunning that she manages to raise the dead.

Set in a London hotel suite in late 1968, a feisty Garland has arrived for another comeback attempt, a five-week set of concerts.

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© 2011 Gulf News (www.gulfnews.com)

Houston drowned in very hot water, cocaine in system

Saturday, April 7th, 2012


LOS ANGELES |
Thu Apr 5, 2012 2:21am EDT

LOS ANGELES (Reuters) – Whitney Houston drowned in a hot bathtub in a Beverly Hills hotel room with cocaine in her system and white powder nearby, a final coroner’s report revealed on Wednesday.

Detectives found white powdery substances, a rolled-up piece of paper, a small spoon and a mirror in the bathroom shortly after Houston’s naked body was found face down in the bathtub on February 11, the 40-page Los Angeles County coroner’s report said.

Houston, 48, had a history of drug addiction. An autopsy in March determined she died of accidental drowning due to the effects of cocaine and heart disease.

Wednesday’s report revealed that Houston had a perforated nose, indicating substance abuse, filled with a bloody discharge.

Detectives said she was found in about 12 inches of extremely hot water, which was determined to be 93 Fahrenheit (34 Celsius) some six hours after her death.

The singer also had traces of marijuana in her system and an open bottle of champagne was found in her room at the Beverly Hilton, hours before she was due to attend a pre-Grammy party.

On a counter in the bathroom, detectives found “a small spoon with a crystal-like substance in it and a rolled up piece of white paper.”

In a drawer, they found “a white powdery substance and a portable mirror on a base” together with more remnants of powder on the base of the mirror.

Wednesday’s report did not identify the substance.

The “I Will Always Love You” singer appears to have been left alone in the hotel room for less than an hour. Houston had complained of a sore throat and her personal assistant advised the singer to have a bath to get ready for the party while she went to a nearby Neiman Marcus department store to pick up items for her appearance.

When the assistant returned, she found a naked Houston face down in the bathtub and unresponsive, according to the report.

Houston was one of the world’s best known singers in the 1980s and 1990s with hits such as “Saving All My Love For You” and “I Wanna Dance with Somebody.”

But her career declined during a tumultuous, drug-fueled 15-year marriage to singer Bobby Brown. She was last known to have entered drug rehabilitation in May 2011 but celebrity media reported that she was seen drinking heavily and behaving erratically in the three or four days before her death.

Houston’s family said in statement last month that they were “saddened to have learned of the toxicology results” that revealed recent cocaine use, but were glad to have closure.

(Reporting by Jill Serjeant; Editing by Sandra Maler, Paul Simao and Lisa Shumaker)

© 2011 REUTERS (www.reuters.com)